The Bristol Book Blog is currently running two book giveaways.
You can snag a copy of Ellen Allen's The Sham - http://brsbkblog.blogspot.co.uk/2014/10/the-sham-book-giveaway.html
Ellen shared her playlist with us at the Blog with key songs at key moments and has kindly provided some books for a giveaway (ebook, any format) - All you have to do to snag a copy is provide the book blog with your reading playlist - do you read to music? if so what do you listen to? The most interesting, entertaining replies will receive a copy of the book (10 copies in total):
AND you can also get a copy of Andrew Goodman's Oliver Drummond and the four horsemen - http://brsbkblog.blogspot.co.uk/2014/10/interview-with-andrew-goodman.html
All you need to enter is to name the four Horsemen in the comments on the link above! Names will be drawn from a hat in two weeks time.
adventures in Publishing - a blog about books, books and more books although no doubt there will be some random whitterings too
Friday, 31 October 2014
Thursday, 30 October 2014
Interview with Andrew Goodman
Today's guest is Andrew Goodman who is now onto his second series of books since we last spoke to him.
Hello, my name is Andrew and I write stories
for young adults. It's been seventeen minutes since my last writing session.
Actually, I'm not only a writer of novels but
also short stories and short- & feature-length screenplays – I was a
semi-finalist in the 2009 British Short Screenplay Competition and was
commissioned to write a 90-minute feature in 2012 for SeeView Pictures.
Tiberius Found and Tiberius Bound wee my
first novels published in paperback and ebook formats, and are the initial two
books book of a three-part series: The Emperor Initiative, with final
subsequent instalment to be released in 2015. October 2014 will also see the
release of my first “Oliver Drummond” supernatural adventure novels set in the
1920s: Oliver Drummond and The Four Horsemen, which sees schoolboy Oliver
‘Bulldog’ Drummond pitting his wits against occult groups, ghosts, murderers
and traitors who want to gain control over the horseshoes from the Four
Horsemen of the Apocalypse.
You can read my Blog here.
For
anyone that hasn’t read them can
you tell us a bit about your books?
I write
action/adventure novels for the Young Adult market, although it seems that most
of my readership passed through the target demographic of 12-18 many years ago!
My first two books are parts one and two in a three-part series called The
Emperor Initiative which sees a 16-year-old boy on the run from a group of
scientists who want to finish the job they started when he was born.
The series is
set in the near future (2028) and follows Daniel Henstock as he discovers he’s
been genetically engineered – assigned the codename Tiberius – and has to flee
the country to save himself. He goes to America, intent on unearthing the truth
about his origins, but only succeeds in putting more people in danger. The
Initiative, however, don’t easily give up and he decides to take the fight to
them when they abduct and threaten the life of the only person he knows he can
trust.
The three
books in the series – Tiberius Found, Tiberius Bound and Tiberius
Crowned – see Daniel unsure of whom he can trust, learning skills and
abilities he never thought possible, suffer terrible hurt and loss, fall in
love, and come face-to-face with the person at the top of the food chain responsible
for his origins. Bit of a roller coaster, for the young man.
Tell
us a bit more about the last book you wrote
My latest
book – Oliver Drummond and The Four Horsemen – is a period adventure, set in
1926, and follows schoolboy Oliver ‘Bulldog’ Drummond as he becomes involved in
the mysterious death of a government scientist. He quickly learns that all is
not as it seems. The discovery of three horseshoes from The Four Horsemen of
the Apocalypse leads to a race to unearth the final artifact, and Oliver is
determined to not let them fall into the wrong hands. If he fails then the
Horsemen will be unleashed upon the world and under the control of a man
hell-bent on dominion.
He comes
face-to-face with ghosts, traitors, murderers and people who have no qualms to
kill and torture to fulfill their ambitions. Not to mention meeting the
Horsemen themselves. And those strange feelings he has for a girl, in the pit
of his stomach, doesn’t help matters…
The novel is
the first in a planned series of ‘Oliver Drummond’ adventures with the next
already well into the planning stage.
What
did you learn about writing whilst writing the last book you wrote?
How much
fun the lack of technology for my characters could be! When they’re in danger
they can’t simply get on their mobile and summon help. I found the world of
post-World War One a great time – Europe was still re-building even eight years
after the War, and suspicion and intrigue was rife. Science was still in its
infancy and it was a time of discovery and doubt. Great elements for a
supernatural adventure!
Do
you have a set writing process, if so what is it?
I like to
spend a lot of time planning and blocking a story out. I know that this process
doesn’t work for everyone but I find the blocks as stepping-stones that help
keep me on track. That doesn’t mean I have to follow them rigidly if I think of
something better during the writing process.
When I’m
in the writing stage, I write. At any time available. Once the first draft is
finished I leave it for a few weeks before moving onto the editing stages and
do however many edits I feel necessary to make it as good as it can be. If, at
that point, I’m engaging a professional editor then I’d send it off and await
for the shredding to begin…
Once I've
got the finished work, I format into eBook and print versions, get the artwork
sorted through third parties, and get ready for publication. Simple.
Do
you write a lot of short stories?
I used to.
I think it was part of the learning process, of how to write stories. A novel
can be quite a daunting thought but a few thousand words are much more
achievable for a person starting to write. That’s not to say short stories are
an easy option, often the opposite is true. You have far fewer words to bring a
convincing story to a satisfactory conclusion that means you can’t have any
fat.
Do
you prefer the long or short form? How do you feel about Flash Fiction?
I prefer
writing novels, these days. Although, if the mood takes me then a short story
can keep the juices flowing nicely. Flash fiction is great! Love it. Very, very
difficult to do well and there are even fewer words to play with. I was very
happy in the summer to win the BeaconLit Writing Festival flash fiction
competition, which had a 150-word limit.
Which
character in your books do you most identify with and why?
I really
like Miles Brennan (in the Tiberius novels) and James Burghley (Oliver’s
uncle).
We’re
never really sure if Brennan is someone who can be trusted and he’s keeping so
many secrets that I’m not sure if he even knows the answer! In my dream film
cast list I’d have Gerard Butler play him. Anyone know Gerard who can suggest
this?
James
Burghley is a man in his thirties who wants fun and adventure in his life, and
who, too, has lots of secrets. He’s quite laid back, with a quirky sense of
humour, but when the situation demands is prepared to stand up and be counted
Which
bit of your writing are you most proud of?
I like to
include a touch of humour to my writing, but without making it too obvious. I
love it when a situation creates itself and a punch-line or quip neatly
presents itself.
However,
the first time I saw one of my books in print format was amazing. An eBook is
ok, but holding that paperback the first time was a special moment.
Tell
us a bit about how you got published? Did you go via a slush pile? Get an agent
before a publisher?
I decided
to follow my usual route of Amazon self-publishing with ‘Oliver…’ although I
have submitted it to a few agents just to see what the waters are like. I used
the Kindle Direct Publishing platform (for the eBook version) and its sister
company CreateSpace (for the print/paperback version), as I did for for my
other previous novels, and find the process quick and easy to follow.
There are
a number of idiosyncrasies specific to each of the above publishing platforms
but I've got through the growling-at-the-computer-screen phase and know what I
need to do now, to make the job as quick and easy as it can be.
The world
of publishing is still changing, and will continue to do so for a while yet,
and there is no shame in self-publishing these days, as long as your work is of
the highest possible standard.
In
one sentence what is your best piece of advice for new writers?
Keep
reading, keep writing, be open to constructive criticism and develop a very,
very thick skin.
Don’t be
too precious about your work, and don’t be afraid to ask for help.
OK, So not
quite one sentence…
------------------
Andrew has very kindly provided three copies of the latest book - Oliver Drummond and the Four Horsemen as a give away (ebook, any format). All you need to enter is to name the four Horsemen in the comments below! Names will be drawn from a hat in two weeks time.
------------------
Andrew has very kindly provided three copies of the latest book - Oliver Drummond and the Four Horsemen as a give away (ebook, any format). All you need to enter is to name the four Horsemen in the comments below! Names will be drawn from a hat in two weeks time.
BristolCon 2014
BristolCon continues to be one of my favourite Cons. It's perfectly formed and extremely well run. I moderated a panel, appeared on a panel, did a reading, went to a workshop, watched a bad film, rooted out werewolves in the games room, played cards against humanity, said hello to a lot of folk I've come to know over the past couple of years, performed at the open mic and made new friends. Phew! (But I got very few photographs!)
As well as spending a lot of time in the art room chatting with the guys from Wyrmwick
And time in the bar.
There was a very entertaining open-mic the evening before where I read my story - "Spin, spin, spin the Wheels of Justice." from the collection "Thunder & Magpies" (currently I'm biting my nails waiting to see if the publisher I sent it to will make an offer - this was the latest message I saw - "Just a small FYI. If you've subbed to Kristell Ink or Grimbold Grimkins and not yet heard, then your manuscript is being carefully considered. We're down to the 'oh-my-gosh-these-are-good-why -can't-we-have-them-all' part of the acquisition process.")
Many thanks to John Courtney Grimwood, Mike Shevdon, Sarah Ash & Jacey Bedford for being great panellists on the "Writing Historical Fantasy" panel. We discussed lots of interesting stuff - first experiences of historical fantasy, attractions of particular time periods, research (don't we all want to learn North African cooking in Africa now that Mr Grimwood said that was part of his research for his Fellaheen books!)
I didn't get time to ask about how to get into pre-20th Century mindsets or how alternative does adding magic to history make history (if we can teleport do we need to invent cars, trains and planes?). I also wanted to ask what periods had been done to death and what were under-explored and of the disneyfication of history. Ah well next time!
I very much enjoyed the Discoverability panel and nice to see Spacewitch represented on the panel. They discussed the Amazon effect, women's discoverability (a particular bugbear of Emma Newman) and there was a general consensus that book bloggers help, but have a limited audience, and that there needs to be a level of curation rather than algorithms that only work at scale.
I went to the "Common writing problems Q&A" where Snorri Kristjansson gave us an interesting and entertaining analogy between writing and making a chair. If your chair has a big spike in the middle it may not be the best chair ever made, if it's green some people may like green or may not but it doesn't mean it's a badly made chair. Perhaps you had to be there! There was also a fascinating discussion about writer's block by Gareth L Powell
After an irritating lunchtime (The cafe under St Mary Redcliffe - got meals wrong, spent a long time to serve us etc) I spent a useful hour in the company with Jacey Bedford in the "How to get an agent" workshop. Lots of great advice and places to look like Miss Snark & Pubrants amongst others. I came away with a handout and the beginnings of a plan.
Other panel highlight was "Sex or Death" where Kevlin Henney had a bunch of statistics from his around 100 short stories. Overall outcome? We are more afraid of putting sex in stories than we are death. After the panel Stark Holborn roped Snorri Kristjansson into helping her do a reading by reading one half of the dialogue. That worked really well and I may steal, sorry borrow, the idea in the future!
The only other reading I managed to catch was Roz Clarke even after promising myself I'd get to more this year. I'm not sure about readings at Cons, they don't appear to work very well, but I'm not sure what the fix is. The only time I've seen full readings of, let's say less well known names, is at 9 worlds with their "New Voices" where each writer probably brings in a couple of people.
I also appeared on a panel - but wasn't hugely happy with my performance, I think I do better as a moderator than a guest. It was well moderated by Pete Newman and was about "Writing Non-human characters." I did manage to crowbar a reference to the Fundsurfer in though.
I also did a reading from "Seven Deadly Swords" my novel that is out with beta readers currently. It seemed to go down well to the few people that turned up.
The evening was spent in socialising, gaming and watching "The Uninvited" a film shown by the fantastic Bristol Bad Film Club which is about a cat that's escaped from a genetic research lab and is taken aboard a yacht bound for the Cayman islands. Needless to say it runs amok. Bonkers plot, "special" special effects and "interesting" acting. A good laugh. I hope BristolCon invite the Bad film club guys back next year too.
I had a fantastic time and will definitely be going next year. How do they fit so much awesome into one day?
As well as spending a lot of time in the art room chatting with the guys from Wyrmwick
And time in the bar.
There was a very entertaining open-mic the evening before where I read my story - "Spin, spin, spin the Wheels of Justice." from the collection "Thunder & Magpies" (currently I'm biting my nails waiting to see if the publisher I sent it to will make an offer - this was the latest message I saw - "Just a small FYI. If you've subbed to Kristell Ink or Grimbold Grimkins and not yet heard, then your manuscript is being carefully considered. We're down to the 'oh-my-gosh-these-are-good-why
Many thanks to John Courtney Grimwood, Mike Shevdon, Sarah Ash & Jacey Bedford for being great panellists on the "Writing Historical Fantasy" panel. We discussed lots of interesting stuff - first experiences of historical fantasy, attractions of particular time periods, research (don't we all want to learn North African cooking in Africa now that Mr Grimwood said that was part of his research for his Fellaheen books!)
I didn't get time to ask about how to get into pre-20th Century mindsets or how alternative does adding magic to history make history (if we can teleport do we need to invent cars, trains and planes?). I also wanted to ask what periods had been done to death and what were under-explored and of the disneyfication of history. Ah well next time!
I very much enjoyed the Discoverability panel and nice to see Spacewitch represented on the panel. They discussed the Amazon effect, women's discoverability (a particular bugbear of Emma Newman) and there was a general consensus that book bloggers help, but have a limited audience, and that there needs to be a level of curation rather than algorithms that only work at scale.
I went to the "Common writing problems Q&A" where Snorri Kristjansson gave us an interesting and entertaining analogy between writing and making a chair. If your chair has a big spike in the middle it may not be the best chair ever made, if it's green some people may like green or may not but it doesn't mean it's a badly made chair. Perhaps you had to be there! There was also a fascinating discussion about writer's block by Gareth L Powell
After an irritating lunchtime (The cafe under St Mary Redcliffe - got meals wrong, spent a long time to serve us etc) I spent a useful hour in the company with Jacey Bedford in the "How to get an agent" workshop. Lots of great advice and places to look like Miss Snark & Pubrants amongst others. I came away with a handout and the beginnings of a plan.
Other panel highlight was "Sex or Death" where Kevlin Henney had a bunch of statistics from his around 100 short stories. Overall outcome? We are more afraid of putting sex in stories than we are death. After the panel Stark Holborn roped Snorri Kristjansson into helping her do a reading by reading one half of the dialogue. That worked really well and I may steal, sorry borrow, the idea in the future!
The only other reading I managed to catch was Roz Clarke even after promising myself I'd get to more this year. I'm not sure about readings at Cons, they don't appear to work very well, but I'm not sure what the fix is. The only time I've seen full readings of, let's say less well known names, is at 9 worlds with their "New Voices" where each writer probably brings in a couple of people.
I also appeared on a panel - but wasn't hugely happy with my performance, I think I do better as a moderator than a guest. It was well moderated by Pete Newman and was about "Writing Non-human characters." I did manage to crowbar a reference to the Fundsurfer in though.
I also did a reading from "Seven Deadly Swords" my novel that is out with beta readers currently. It seemed to go down well to the few people that turned up.
The evening was spent in socialising, gaming and watching "The Uninvited" a film shown by the fantastic Bristol Bad Film Club which is about a cat that's escaped from a genetic research lab and is taken aboard a yacht bound for the Cayman islands. Needless to say it runs amok. Bonkers plot, "special" special effects and "interesting" acting. A good laugh. I hope BristolCon invite the Bad film club guys back next year too.
I had a fantastic time and will definitely be going next year. How do they fit so much awesome into one day?
Monday, 27 October 2014
The Sham - Book Giveaway
Here at BRSBKBLOG we are very lucky to have a brilliant book giveaway for new YA thriller - The Sham by Ellen Allen
Ellen has loved reading ever since she was tiny and discovered Enid Blyton in a corner of her classroom - The Magic Faraway Tree, anyone? She later went on to develop a trilogy to rival Tolkien, based on The Hobbit (er, only it wasn't quite as good!).
As a grown up, her dream is to see her book in a book shop or to read a good review that some kind soul has left online for others to read. She lives in the south of France with her small daughter and would, one day, like to be able to master the French subjunctive.
Author of new YA novel The Sham, a keen outdoor swimmer (whatever the weather), an avid reader and she also likes to collect quotes, articles, tips etc. on how to write, submit & publish really good fiction.
Find Ellen on the web here: http://writingright.net/ and Twitter here: @Ellenwritesall
Eighteen-year-old Emily Heath would love to leave her dead-end town, known locally as “The Sham”, with her boyfriend, Jack, but he’s very, very sick; his body is failing and his brain is shutting down. He’s also in hiding, under suspicion of murder. Six months’ ago, strange signs were painted across town in a dialect no one has spoken for decades and one of Emily’s classmates washed up in the local floods.
Emily has never trusted her instincts and now they’re pulling her towards Jack, who the police think is a sham himself, someone else entirely. As the town wakes to discover new signs plastered across its walls, Emily must decide who and what she trusts, and fast: local vigilantes are hunting Jack; the floods, the police, and her parents are blocking her path; and the town doesn’t need another dead body.
**This book is unsuitable for younger readers; it contains discussions about murder scenes, conversations about sex and profanity.
Ellen shared her playlist with us at the Blog with key songs at key moments and has kindly provided some books for a giveaway (ebook, any format) - All you have to do to snag a copy is provide the book blog with your reading playlist - do you read to music? if so what do you listen to? The most interesting, entertaining replies will receive a copy of the book (10 copies in total):
The Sham's playlist - possible spoilers (click on it to view full size & reveal)
Ellen has loved reading ever since she was tiny and discovered Enid Blyton in a corner of her classroom - The Magic Faraway Tree, anyone? She later went on to develop a trilogy to rival Tolkien, based on The Hobbit (er, only it wasn't quite as good!).
As a grown up, her dream is to see her book in a book shop or to read a good review that some kind soul has left online for others to read. She lives in the south of France with her small daughter and would, one day, like to be able to master the French subjunctive.
Author of new YA novel The Sham, a keen outdoor swimmer (whatever the weather), an avid reader and she also likes to collect quotes, articles, tips etc. on how to write, submit & publish really good fiction.
Find Ellen on the web here: http://writingright.net/ and Twitter here: @Ellenwritesall
Eighteen-year-old Emily Heath would love to leave her dead-end town, known locally as “The Sham”, with her boyfriend, Jack, but he’s very, very sick; his body is failing and his brain is shutting down. He’s also in hiding, under suspicion of murder. Six months’ ago, strange signs were painted across town in a dialect no one has spoken for decades and one of Emily’s classmates washed up in the local floods.
Emily has never trusted her instincts and now they’re pulling her towards Jack, who the police think is a sham himself, someone else entirely. As the town wakes to discover new signs plastered across its walls, Emily must decide who and what she trusts, and fast: local vigilantes are hunting Jack; the floods, the police, and her parents are blocking her path; and the town doesn’t need another dead body.
**This book is unsuitable for younger readers; it contains discussions about murder scenes, conversations about sex and profanity.
Ellen shared her playlist with us at the Blog with key songs at key moments and has kindly provided some books for a giveaway (ebook, any format) - All you have to do to snag a copy is provide the book blog with your reading playlist - do you read to music? if so what do you listen to? The most interesting, entertaining replies will receive a copy of the book (10 copies in total):
The Sham's playlist - possible spoilers (click on it to view full size & reveal)
Wednesday, 22 October 2014
Review - David Gullen's Open Waters
Mr Gullen has collected together 11 stories that have been published in magazines and anthologies (and 5 that haven’t) into this, his first short story collection. The earliest published in 1998, the latest in 2011. It’s a wide mix of speculative stories of varying length, a few flash, a few longer pieces, many in between. With the majority of stories Gullen explains the genesis, with many stemming from challenges created by the T party, the writing group Mr Gullen is part of.
There is a lot to like in here and the quality is, in the main, very high. I dipped in and out in between other projects - my own writing and reading for reviews. The first and last stories are very good, both about war, a subject Gullen tells us he often writes about, – the first a ‘what if’, what if the invasion by tourists every year was just that, an invasion, this one stuck with me long after reading it. The last with humanity getting caught up in a galactic war as auxillaries and a small army of humans are abandoned on an alien world and left to conquer it. I was also taken by Gullen’s re-imagining of the lady in the lake in Come the Hour which, he tells us, had a rejection because the editor thought her readers would like to keep their lunches, which Gullen takes as a compliment. My favourite though must be Fade a post-apocalyptic story about us and Them and the Difference, one of those stories that lights up the creative part of your brain and therefore makes the world contained seem much larger than what is on the page. I wish I’d written something as cool as this story. There were a few misses, not poorly written, just didn’t do it for me, but that’s natural in any collection, but they were very few.
These are stories about war, about relationships, about humans, sometimes in alien situations. It is a collection with heart and imagination. Besides, where else would you go for your walrus porn and cowboy Cthulhu erotica?
Overall – An excellent read, recommended.
Tuesday, 21 October 2014
North by Southwest
Newsflash!
Our Fundsurfer is now live - Please log in and pledge for your great rewards!
Since earlier this year I've been working on an anthology - the North Bristol Writers have got together to create a whole bunch of new stories and it's almost time that they were committed to paper.
There are 10 writers, 1 fantastic artist and 1 brilliant editor ready to turn a whole bunch of words into a living breathing book.
But we need cash to make it a reality and so we're launching a Fundsurfer. What's Fundsurfer? It's a crowdfunding platform, not just any crowdfunding platform though because these boys are based in Bristol.
https://www.fundsurfer.com/
If you're going to help fund this you'll have to register an account.
And we've been in to meet them & discuss the project and they've been super helpful every step of the way since we decided to go down the crowdfunding route.
At BristolCon we'll be launching the Fundsurfer and you will be able to throw all your money at us in return for a variety of cool rewards. I'll do an update post when we go live. And, no doubt throughout the process. With updates to the crowdfunding, cover reveals, cover blurbs, early reviews etc.
This is my first foray into crowdfunding and I'm not sure what to expect - will people flock or flee?
Anyhow - I'd like to publicly thank Richard Jones from Tangent books who will do the magic publishing bit once we have typeset the book. Joanne Hall (@Hierath) for stepping in to wrangle the wordage. Claire M Hutt (@clairedreams99) for providing lots of wonderful art, and excellent advice.
And, of course, my fellow writers - Jemma Milburn, Clare Dornan, Ian Millsted, Kevlin Henney, Margaret Carruthers, Roz Clarke, John Hawks-Reed, Desiree Fischer & Justin Newland
Interview with Judy Darley
Today Judy Darley has dropped in to talk about her writing
Judy Darley is a British fiction writer, writing tutor and journalist. She’s had short stories, flashes and poetry published by literary magazine and anthologies including Germ Magazine, Litro, Riptide Journal, and The View From Here. Judy’s debut short story collection ‘Remember Me To The Bees’ is out now. She blogs at www.skylightrain.com and tweets at https://twitter.com/JudyDarley
Monday, 20 October 2014
Interview with Jacey Bedford
Jacey dropped in to the blog to talk about her writing -
Jacey Bedford lives behind a desk in Pennine
Yorkshire. She's been a librarian, a postmistress and (for 20 years) a singer
with internationally touring a cappella trio, Artisan. She's had short stories
published on both sides of the Atlantic in anthologies and magazines before
getting a book deal with DAW in the USA for three novels. She's one of the
organisers of the annual Milford SF Writers' Conference and the Northwrite SF
writers group.
She's a fairly recent convert to conventions,
though this year has been busy with Eastercon, Worldcon in London and
Fantasycon in York. She'll be at Bristolcon for the first time in October and
returning to Novacon in Nottingham in November.
Monday, 13 October 2014
Literary festivities
So the weekend just past was the cut down, compact & bijou Bristol Festival of Literature 2014
http://unputdownable.org/
@Bristollitfest
We did some things in association with Yardstick:
First up, for me, was a visit to the RWA where there was music & dance, poetry and art -
Which had a very full, varied & interesting program of poetry, flash, short stories and workshops. Well done to the organisers for an enjoyable few hours rubbing shoulders with other Bristol writerly types.
Then Saturday night was the BFL Speakeasy Featuring Jamaican poets Mervyn Morris (Poet Laureate), Mel Cooke, Yashika Graham and Richard “Dingo” Dingwall. Bristol’s writing talent was represented by Milo Chambers, Sarah Hilary, Mike Manson, Anna Freeman and Vanessa Kisuule.
Which went really well and gave each of the visiting Jamaican poets a really good slot to showcase their poetry.My favourite performer of the night though was Ann Freeman who eschewed reading from her novel and regaled us with some of her own poetry instead.
Finally I picked up 50 goodie bags from Forbidden Planet for Super Comic Sunday
This was ably hosted by Cavan Scott, Huw Powell and Ian Millstead and we filled the top of the MShed with a host of happy families.
Where the kids got to create a crazy comic characrer, learn how to be a space pirate and meet a bunch of comics creators.
One of the crazy characters. Great fun was had by all.
http://unputdownable.org/
@Bristollitfest
We did some things in association with Yardstick:
First up, for me, was a visit to the RWA where there was music & dance, poetry and art -
There was more poetry later on Friday but I missed it.
On Saturday I was at Foyles for the Southville Writers Books are my Bag event
Then Saturday night was the BFL Speakeasy Featuring Jamaican poets Mervyn Morris (Poet Laureate), Mel Cooke, Yashika Graham and Richard “Dingo” Dingwall. Bristol’s writing talent was represented by Milo Chambers, Sarah Hilary, Mike Manson, Anna Freeman and Vanessa Kisuule.
Which went really well and gave each of the visiting Jamaican poets a really good slot to showcase their poetry.My favourite performer of the night though was Ann Freeman who eschewed reading from her novel and regaled us with some of her own poetry instead.
Finally I picked up 50 goodie bags from Forbidden Planet for Super Comic Sunday
This was ably hosted by Cavan Scott, Huw Powell and Ian Millstead and we filled the top of the MShed with a host of happy families.
Where the kids got to create a crazy comic characrer, learn how to be a space pirate and meet a bunch of comics creators.
One of the crazy characters. Great fun was had by all.
Saturday, 11 October 2014
Jennifer Williams interview
Today Jennifer Williams dropped in to talk about here writing.
Jennifer is a writer from London who writes character driven fantasy books, often with lots of peril and banter. She also have an unhealthy obsession with Bioware games, enjoys a glass of mead, and writes the occasional film review. Her first book, THE COPPER PROMISE, is out now from Headline books, with the sequel, THE IRON GHOST, to follow in February 2015.
Find her on twitter- @sennydreadful & at her website: http://sennydreadful.co.uk/
For
anyone that hasn’t read them can you tell us a bit about your books
THE COPPER PROMISE, and its sequel, THE IRON GHOST,
are epic fantasy books with a strong leaning towards sword and sorcery: there’s
definitely a world-threatening disaster looming here, but my sellsword
characters aren’t sure they’re being paid enough to deal with it.
The blurb for THE COPPER PROMISE
There are some tall stories about the
caverns beneath the Citadel - about magic and mages and monsters and gods.
Wydrin
of Crosshaven has heard them all, but she's spent long enough trawling caverns
and taverns with her companion Sir Sebastian to learn that there's no money to
be made in chasing rumours. But then a crippled nobleman with a dead man's name
offers them a job: exploring the Citadel's darkest depths. It sounds like just
another quest with gold and adventure ... if they're lucky, they might even
have a tale of their own to tell once it's over.
These
reckless adventurers will soon learn that sometimes there is truth in rumour.
Sometimes a story can save your life.
Tell
us a bit more about the last book you wrote
The last book I wrote was THE IRON GHOST, which
follows on from the end of THE COPPER PROMISE, so without getting into
spoilers, expect more adventure, mayhem, and angry gods.
The blurb for THE IRON GHOST
Beware the dawning of a new mage...
Wydrin of Crosshaven, Sir Sebastian and Lord Aaron Frith are experienced in the perils of stirring up the old gods. They are also familiar with defeating them, and the heroes of Baneswatch are now enjoying the perks of suddenly being very much in demand for their services.
When a job comes up in the distant city of Skaldshollow, it looks like easy coin - retrieve a stolen item, admire the views, get paid. But in a place twisted and haunted by ancient magic, with the most infamous mage of them all, Joah Demonsworn, making a reappearance, our heroes soon find themselves threatened by enemies on all sides, old and new. And in the frozen mountains, the stones are walking...
Wydrin of Crosshaven, Sir Sebastian and Lord Aaron Frith are experienced in the perils of stirring up the old gods. They are also familiar with defeating them, and the heroes of Baneswatch are now enjoying the perks of suddenly being very much in demand for their services.
When a job comes up in the distant city of Skaldshollow, it looks like easy coin - retrieve a stolen item, admire the views, get paid. But in a place twisted and haunted by ancient magic, with the most infamous mage of them all, Joah Demonsworn, making a reappearance, our heroes soon find themselves threatened by enemies on all sides, old and new. And in the frozen mountains, the stones are walking...
What did you learn about writing whilst
writing the last book you wrote?
Writing THE IRON GHOST was
a new experience. Books I’d written previously, including THE COPPER PROMISE,
were written to my own schedule in the cosy assumption that I’d probably be the
only person to ever read them. Now, I was writing to a deadline for a real publisher,
with a contract and everything. Suddenly the whole process was a lot scarier,
and a lot more pressurised. “Ye gods,” I thought to myself, “people will
actually read this. People will be paying money for it.” There followed a short
period of panic and stress-eating, where I threw out notes repeatedly and
started the book from scratch twice. Thankfully I got over that reasonably
quickly and threw myself back in. I think every book is a learning experience,
and perhaps the first one you write entirely under contract is a learning
experience in a very specific way – I learnt that you have to be brave, and you
can’t be afraid of the blank page.
Do you have a set writing process, if so
what is it?
When I write a book I use
a mixture of plotting and “making it up as you go along”. So usually I will
start with characters – all of my books are very character driven – and I will
make lots of notes on who they are and what makes them tick. Then I will get my
corkboard out and start pinning up different odds and ends: what do I want to see
in this book? What relationships will change and move forward? What sort of
monsters/what sort of magic? The story emerges out of that, and once I have the
basic framework I will refine it a few times, usually getting the whole thing
down to a handful of notecards, and then we’re off. I don’t like to have
everything set in stone at that stage, because I want the freedom to be able to
follow where the book takes me as the story evolves.
The actual physical
writing tends to happen in the evening, after work, or in big chunks at the
weekend. I try to have my head in the book at least once a day, every day.
Do you write a lot of short stories?
The truthful answer to
this is that I used to! These days I don’t have as much time, but a few years
ago I went through a period of writing lots of short stories – mainly horror or
dark fantasy. I was the editor of Dark Fiction Magazine for a while too, and
was pleased to give a few great short stories an audio home.
Do you prefer the long or short form?
How do you feel about Flash Fiction?
I think a well-written
short story is a particularly delicious treat, and writing them well requires a
special kind of discipline and skill. I suspect that these days my heart
belongs to the novel, but one of the proudest moments in my writing career was
seeing my flash fiction short THE PRICE published in Black Static magazine.
Which character in your books do you
most identify with and why?
Ah, this is tough. I see
tiny bits of myself in all three of my main characters; Wydrin and I share a
sense of humour and a fear of responsibility, while Sebastian’s somewhat
unyielding moral core is something I identify with strongly (when all my school
friends were skipping train fares, I was the one who insisted on buying a
ticket). I also have a bad temper, so writing Lord Frith’s angrier moments are
a lot of fun.
Which bit of your writing are you most
proud of?
To be honest, I’m proud
to have a book out there at all – it always felt like such a wild dream, and
it’s still difficult to comprehend that THE COPPER PROMISE is out in the world,
in bookshops and in reader’s hands. In terms of specific writing, there is a
subplot in the first book that started off as a throwaway idea and became
something very important to the series as a whole. The big bad Dragon god
Y’Ruen has an army of dragon-daughters, a bunch of minions to do her dirty work
on the ground while she deals death and destruction elsewhere. It was when I
started to ask myself questions about these minions – are they inherently evil?
What would happen if something caused them to start acting like individuals? –
that a big portion of the series’ soul was revealed to me. I’m quite proud of
how that turned out.
Tell us a bit about how you got
published? Did you go via a slush pile? Get an agent before a publisher?
My path to being
published was a little odd, I suppose. Originally I wrote a short novella
called THE COPPER PROMISE: GHOSTS OF THE CITADEL, which I self-published as a
bit of an experiment. It had some favourable feedback, and a few people asked
to see the complete manuscript. In the end, GHOSTS OF THE CITADEL became the
opening section of a much larger book, and luckily for me the wonderful agent
(and karaoke demon) Julie Mushens signed me up. Shortly after that the book was
picked up by Headline, and I spent the next couple of months in shock.
In one sentence what is your best piece
of advice for new writers?
Don’t listen too closely
to writing advice.
------------------------
Many Thanks to Jen for providing interesting answers to our Bristol Book Blog questions!
Friday, 10 October 2014
DJ Donaldson interview
D.J. (Don)
Donaldson is a retired medical school professor. Born and raised in Ohio, he obtained a Ph.D.
in human anatomy at Tulane, then spent his entire academic career at the
University of Tennessee Health Science Center in Memphis. In addition to being the author of several
dozen scientific articles on wound healing, he has written seven forensic
mysteries and five medical thrillers.
What inspired you to
start writing, and when?
Oddly, the
thought that I wanted to become a novelist just popped into my head one day
shortly after my fiftieth birthday. Part
of this sudden desire was a bit of boredom with my real job. I was an anatomy professor at the U. of
Tennessee and had accomplished all my major professional goals: course
director, funded NIH grant, teaching awards, and many published papers on wound
healing. So I guess I needed a new
challenge. And boy did I pick a tough one.
I wondered, how
does a novice like me learn to write fiction? Taking a few writing courses is
an obvious answer. But I had the vague feeling that there were a lot of
unpublished writers teaching those courses and I worried that all I’d learn was
how to fail. I’m not saying this was the
best way, but I decided to just teach myself. I bought ten bestselling novels and tried to
figure out what made each of them work. What tricks were the authors using to
hold my attention? What made these books
so popular? In a sense then, maybe I didn’t teach myself. Maybe Steven King, Robin Cook, Pat Conroy,
Michael Palmer, Larry McMurtry, and James Michener did. In any event, eight years later, I sold my
first book. So, it took me about as long
to become a published novelist as it did to train for medical research and
teaching.
Is there anything you
find particularly challenging in your writing?
There’s nothing
easy about any of it. But titles are a particular challenge. I often can’t figure out what the title of a book
should be. Oh, I know when a title is great and so do you…
It’s like the dealer at a flea market who once said to me when I picked up an
expensive item to look at more closely…”You have good taste.” Then, while I was secretly preening at his
compliment, he added, “Of course, it’s not that hard to spot quality.” It’s the same with book titles. Here’s a test: What do you think of this title? They
don’t build statues to businessmen.
To me, it’s
awful. I’d think so even if I’d been the one to come up with
it. Actually, it was the famous writer,
Jacqueline Susann, who crafted that one for a book that eventually became a
mega best seller as Valley of the dolls. Could there be anybody who likes the first title better? Okay…. there’s always someone who enjoys
being a contrarian. But that still
doesn’t make the first title any good.
Let’s try
another. How about All’s well that ends well?
That’s actually not horrible. But
it doesn’t sound like the sweeping saga the author wrote. I certainly think the title it was eventually
given, War and Peace, is far better.
So, it’s easy to
know a great title when you see it, but boy is it hard to come up with one,
especially when you’re writing a New Orleans series that needs to have a title
that reflects the locale. I usually sit
for hours playing with words and rearranging them in what I hope are creative
ways. No matter what title I eventually
settle on for a book, I have this nagging suspicion that even if I really like
the one I pick, there was a much better one I could have used. I just couldn’t find it. My War
and Peace was out there, just beyond reach.
Of all my New
Orleans books, I’m the most satisfied with the title for Louisiana Fever. Although the title doesn’t specifically mention
New Orleans, it lets readers know a lot about the locale. It also strongly
suggests that the story involves some kind of contagious disease. The fever part of the title actually refers
to Crimean-Congo haemorrhagic fever, a bleeding disease similar to Ebola. Most
writers would be thrilled to have written a book that could be related to
unfolding world events. Normally, I’d be
among them. But in this case, I’d much
prefer that there be no reason for Ebola to be in the news every day. I hope
this threat is contained soon.
For anyone that hasn’t
read them can you tell us a bit about your books
My first
book was a mystery. As a beginning
writer, that seemed like the best genre for me because mysteries have a classic
structure that guides the behaviour and direction of the main characters. In a
very general way that structure provides those characters with goals and
motivation: Goal: find the killer.
Motivation: It’s their job. The
genre also provides a structure for conflict:
The killer doesn’t want to be found, so he will try to thwart the
investigation. I had no idea that my
first book would lead to six more with the same characters.
After six
series mysteries I took a break to try my hand at writing stand-alone
thrillers. (Stand-alones have a
different cast of characters in each book.)
Someone once asked me what the difference is between a mystery and a
thriller. There can be a lot of overlap in the two, but generally thrillers put
the main character in danger throughout the book. In mysteries, the danger
often arises only when the protagonist begins to close in on the killer.
I have to say I
like series and stand alones equally well.
If you look at my list of published novels (seven forensic mysteries and
five medical thrillers), it’s obvious that I’ve drawn on my academic background
to write both kinds of books. They say to “write what you know”, and I
have. Except that for every book, It’s
taken about six months of intensive research to learn a lot of necessary
material, both scientific and otherwise, that I didn’t know when I started the
book. That research has been a lot of fun.
For one book, I spent a week in Madison Wisconsin, visiting dairy farms ...
even had a milk cow poop on my shoes. (Okay, I didn’t like that part much.)
What are you working on now (apart from this interview
of course)?
I’ve always wanted my books to be available on
audio. I’m excited to tell you that my
entire New Orleans forensic mystery series is now in production with Audible
books. I haven’t yet heard any of it, so I’m really looking forward to
listening to what they’ve done. The
narrator is Brian Troxell, who has narrated about 75 other books for Audible.
I’ve listened to some of those and I think he’s going to do a great job. When
he asked me for some hints about how to portray Broussard, the greatly
overweight New Orleans medical examiner, I told him to think of the character
actor, Wilfred Brimley. From the moment
I wrote the first words about Broussard I pictured him being played in film by Brimley.
In one sentence what is your best piece of advice for
new writers?
Write
because you love it.
Don’t
write for wealth or fame because most writers in the world, even those who have
sold books to major publishers, can’t claim either of those status
symbols. There’s an old quote that says,
“You can get rich in this country by being a writer, but you can’t make a
living.” If you don’t love doing it then
you can be crushed by the difficulties inherent in the pursuit.
Thursday, 9 October 2014
Laure Eve Interview
Today Laure Eve dropped by to discuss her writing
Laure Eve is a French-British hybrid
who grew up in Cornwall, a place saturated with myth and fantasy. She speaks
English and French, and can hold a vague conversation, usually about food, in
Greek.
A few things she loves: Haagen Dazs
cookie dough ice cream, Jean Claude van Damme, David Lynch, pretty much any
version of Dracula ever. Also books, cake, films and shoes.
I asked Laure a whole bunch of Bristol Book Blog questions
Wednesday, 8 October 2014
Alistair Rennie interview
Today Alistair Rennie has dropped by the blog to talk about his writing & other topics.
Alistair Rennie was born in the North of Scotland, lived for
ten years in Italy, and now lives in the South of Scotland in Edinburgh. He
holds a first class Honours Degree in Literature from the University of
Aberdeen and a PhD in Literature from the University of Edinburgh.
Rennie has published fantasy and horror fiction, essays and
poetry in The New Weird anthology, Weird Tales magazine, Fabulous Whitby, Electric Velocipede, Mythic
Delirium, Pevnost, Schlock Magazine, Horror Without Victims, Weird
Fiction Review and Shadowed Realms.
Alistair can be found at : http://alistairrennie.com/
I asked Alistair a whole bunch of usual Bristol Book Blog questions -
Tuesday, 7 October 2014
Sibilant Fricative Review
Sibilant Fricative by Adam Roberts
How could a book reviewer resist this collection? Adam Roberts, the author of e.g. Yellow blue tibia (which I reviewed previously) and By light alone also writes reviews, and pulls no punches. In this collection of reviews and essays of SF (Sibilant & Fricative respectively) he casts his eye over a variety of books and films. I confess to reading the reviews completely out of order, going through the ones of books and films I had already seen and some I had reviewed myself. This was to get a “baseline” for the books and films I’ve not yet got to so that I know what Roberts likes and doesn't and where he agrees and disagrees with me so that I can see what I need to add to the TBR & TBW piles.
He reviews PKD, Ballard, Pynchon, Mieville, Bova and many others in the SF section, as well as Star Trek & District 9 films and Tolkein, Le Guin, Rothfuss and notably all of the Wheel of Time in the Fantasy section. He reviews with great insight, sly humour and occasionally in the style of the book he is reviewing. The vast majority of the reviews are very entertaining and some are thought provoking, the best are both. For example Roberts sets himself the task to review The Wheel of Time which starts better than he expected but then rapidly becomes a massive chore. Along the way we get a class on how to write well, and why Jordan doesn't and thoughts about epic fantasy, fandom and a brief meta discussion about reviews. This, in addition to the essay on the “Two Hobbits” is worth the entry ticket alone, and there is so much more entertainment within.
I started keeping note of some of the more out-leap-y examples of WoT-style … But after 120-pages of this I exhausted the patience necessary to interrupt my reading with jotting examples down in my notebook. I wanted to get through the damn thing as soon as possible. That’s not to say that the writing gets any better, for it does not
If you like reading reviews – and you must do if you’re reading this one right? Then I highly recommend this collection to you.
Overall –Erudite, entertaining, intelligent collection of essays and reviews.
How could a book reviewer resist this collection? Adam Roberts, the author of e.g. Yellow blue tibia (which I reviewed previously) and By light alone also writes reviews, and pulls no punches. In this collection of reviews and essays of SF (Sibilant & Fricative respectively) he casts his eye over a variety of books and films. I confess to reading the reviews completely out of order, going through the ones of books and films I had already seen and some I had reviewed myself. This was to get a “baseline” for the books and films I’ve not yet got to so that I know what Roberts likes and doesn't and where he agrees and disagrees with me so that I can see what I need to add to the TBR & TBW piles.
He reviews PKD, Ballard, Pynchon, Mieville, Bova and many others in the SF section, as well as Star Trek & District 9 films and Tolkein, Le Guin, Rothfuss and notably all of the Wheel of Time in the Fantasy section. He reviews with great insight, sly humour and occasionally in the style of the book he is reviewing. The vast majority of the reviews are very entertaining and some are thought provoking, the best are both. For example Roberts sets himself the task to review The Wheel of Time which starts better than he expected but then rapidly becomes a massive chore. Along the way we get a class on how to write well, and why Jordan doesn't and thoughts about epic fantasy, fandom and a brief meta discussion about reviews. This, in addition to the essay on the “Two Hobbits” is worth the entry ticket alone, and there is so much more entertainment within.
I started keeping note of some of the more out-leap-y examples of WoT-style … But after 120-pages of this I exhausted the patience necessary to interrupt my reading with jotting examples down in my notebook. I wanted to get through the damn thing as soon as possible. That’s not to say that the writing gets any better, for it does not
If you like reading reviews – and you must do if you’re reading this one right? Then I highly recommend this collection to you.
Overall –Erudite, entertaining, intelligent collection of essays and reviews.
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