Back in July we interviewed Mats Strandberg, one half of the writing team behind the amazing Engelsfors trilogy. Today we've got Sara B Elfgren the other half of the team giving her side.
Sara B. Elfgren (B is for Bergmark) started her career in the film industry as a screenwriter and script editor. She has a degree in film studies. The Circle was her debut novel. She is currently writing a new fantasy book series and, together with comic book artist Karl Johnsson, the graphic novel Vei. She has cowritten the screenplay to the film adaptation of The Circle together with director Levan Akin.
Sara was born in 1980 in Stockholm, and she still lives there with her husband.
So this is your chance to put your side
of the story - how did the collaboration with Mats Strandberg come about?
I don’t really have anything to add! Other than that he is an
amazing co-writer and human being. I’m very lucky to have met him, and I look forward
to writing with him again.
What's it like to create
in collaboration as opposed to solo - what are the ups and downs?
As long as you have the right partner there aren’t any drawbacks
to collaboration, except the need for more logistics. I love working on my own
and making all the choices, but I couldn’t be without my collaborations. I just
published my first children’s book, Just
nu har vi varandra (Time for each
other), and the illustrator Maria Fröhlich and I are working on a second
book with the same characters. I’m writing a fantasy graphic novel with artist
Karl Johnsson, and working on scripts with several directors and other writers.
I learn so much from these collaborations and they give instant energy that
sometimes can be hard to find when you’re writing on your own. With that said,
I’m super excited about having started on my first solo novel. If everything
goes according to plan it will be out in 2017.
I was made aware of the
trilogy by a Swedish friend but now the trilogy has spread far and wide, I
asked Mats about the translations already, so I'll ask you about the covers -
what's your favourite foreign edition cover & why?
I’m very pleased that so many foreign publishers chose to use
the original covers with illustrations by Kim W. Andersson. His collection of
romantic horror short stories – Love
Hurts - is being published by Dark Horse in October this year (I actually
wrote one of them). It was a fun treat to see the Chosen Ones as manga
characters on the cover of the Japanese edition. The character Linnéa, who is a
huge Dir En Grey-fan is wearing a Dir En Grey-top. The band gave special
permission. She would have loved that.
Which piece of writing
are you most proud of?
The Engelsfors trilogy has changed my life, and it has touched
other people’s lives as well, sometimes making a profound difference, as we’ve
been told by some readers. I’m definitely proud of what I do, but mostly I feel
grateful for being able to work full time, and meeting all these amazing
people. I love my work.
You've worked as a script
editor - how's that helped you in your prose writing?
I’ve had to hone my skills when it comes to analyzing what is
amiss in a story and to find concrete solutions. Working as a screenwriter has taught
me to listen to and process criticism without getting too hurt in the process.
Developing a thick skin is vital if you want to survive in the movie business.
Did you have any input
into the film? Is it weird seeing someone else's vision of characters you've
lived with inside your head?
Oh yes. I wrote the screenplay together with the director Levan
Akin, who is a very close friend. I’ve learned so much from working with him. I
was at the rehearsals with the actors and rewrote lines and sometimes whole
scenes. I was also in the editing room almost every day during the main part of
the editing. It is very rare to get such insight into the film making process
as a screenwriter and I’m so grateful for that experience. Since I was so
deeply involved, I didn’t get the ”wow!” or ”wtf?” experience that many writers
get when they view a film based on their book. It was an organic process. I’ll
always have my own interpretations of the characters, but the movie version
feels completely natural to me.
If you could be a
character from one of your books who would it be and why?
Like Mats said, we put most of them through hell so I wouldn’t
want to trade places. But if I had to choose … Probably Vanessa, because she
knows how to enjoy life, and she has really cool powers.
Do you also write short
stories? If so where can people find them, if not, why not?
A little more than ten years ago I came pretty close to getting a
collection of short stories published. Sadly, Sweden isn’t a very friendly
place for short story writers. There are
hardly any magazines that publish short stories, and most publishers’ view is
that short story collections don’t sell. With that said I still write them
sometimes, and perhaps one day I’ll publish them, who knows?
What’s the one question you
never get asked in interviews that you really want to answer?
What are your favourite black and white horror films? Answer: The
Haunting, The Innocents, Night of the Demon, Les yeux sans visage (Eyes Without
a Face), Night of the Living Dead, Carnival of Souls, The Night of the Hunter.
In one sentence what's
your best piece of advice for new writers
Your writing is going to suck and it
doesn’t mean that you suck as a writer. It just means that writing is not all
about putting words on a paper, it’s just as much – or sometimes even more – about
changing them. It’s the same for every writer. It doesn’t matter if you’ve
published 30 novels, you’re always going to suck at some point in the process.
The cure is editing.
Many thanks for Sara for taking time to answer our questions. You should go check out her novels!
